I’ve had a long-standing interest in antiques, flea markets, and curious objects. These places are a key source of subject matter in my work. I often visit antique shops and vintage stores to sketch and gather references, drawn to the way objects hint at forgotten stories and lived experiences. I’m particularly interested in how these objects allow us to form a tangible connection with people who lived generations ago. They become a link between the past, present, and future—physical reminders of lives that came before us.

My painting process mirrors this idea of layered history. I build up surfaces slowly, often wiping back, sanding, or painting over earlier elements. Each work contains remnants of what came before—just like the objects I depict. This physical layering becomes a way to reflect on memory, time, and the traces of past lives that still linger in the present.

I also enjoy the playful aspect of painting—how the arrangement of objects, colours, and forms can spark unexpected narratives. Sometimes these scenes take on a life of their own, creating new stories that weren’t planned from the outset.